c,1612-before 1648 Dutch painter. His father, who came from Metz, kept a popular inn at Leiden. Isack Jouderville was among Rembrandt's earliest pupils and was apprenticed to the artist from late 1629 until the end of 1631. for the payment of his apprenticeship fees, signed by Rembrandt. During his last year of apprenticeship, Jouderville went to Amsterdam with Rembrandt. In 1632 he enrolled as a student of philosophy at Leiden University; it may well be, however, that he stayed in Amsterdam to assist Rembrandt in his workshop with his numerous portrait commissions. Jouderville himself painted mainly Rembrandtesque heads or 'tronies' and was such a faithful follower of his master's early work that several of his paintings were at one time attributed to Rembrandt. In 1636 Jouderville married Maria Le Fevre and settled in Leiden. Between 1641 and 1643 he lived in Deventer, after which he moved to Amsterdam, where he was last recorded in 1645.   Related Paintings of Isack jouderville :. | Tomb of Don Sancho Saiz de Carillo | Dulle Griet (Mad Meg) fg | Monforte Altarpiece | The Young Ladies on the Banks of the Seine (Summer) | Briullov Italian Midday |
Related Artists:
Valentin Serov
Russian Impressionist Painter, 1865-1911
Procaccini, Andrea
Italian, 1671-1734 Italian painter, draughtsman and architect. A pupil of Carlo Maratti, he is first documented in 1702, among the restorers of Raphael's fresco decorations (1511-14) in the Vatican. His Tarquinius and Lucretia (c. 1705; Holkham Hall, Norfolk) has cold colours and unnatural gestures that recall Guido Reni. Appointed by Pope Clement XI, between 1710 and 1717 Procaccini supervised the tapestry factory in S Michele a Ripa: the Purification of the Virgin (Rome, Vatican, Consistory Hall) is the only extant tapestry made from a cartoon (untraced) by Maratti and an oil painting (untraced) by Procaccini. The Baptism of Cornelius Centurion (1711; Urbino, S Francesco) for the Baptism Chapel in St Peter's, Rome, was previously attributed to Maratti or Giuseppe Bartolomeo Chiari, but Procaccini apparently based it on sketches supplied by Maratti, who also supervised and revised the work before it was displayed.
Francesco Morone
Italian Painter, 1471-ca.1529 was an Italian painter, active in Verona in a Renaissance style. He was the son of the Veronese painter Domenico Morone. The art biographer Vasari praised his frescoes (1505-7) for the cupola of the sacristy in Santa Maria in Organo. He also painted the organ shutters in that church. Paolo Cavazzola was one of his pupils.